Reading Through The Pile

Zone.3_.Fall_.2016_As summer turns the corner into August, I’m once again playing catch-up with piles of literary magazines I have been wanting to read. Sure, they’re a little out of date, but the poems and stories and essays and reviews within remain fresh and juicy and delicious. #ShelfLife

I just finished reading the Fall 2016 issue of Zone 3, and I just have to say their magazines are always so PRETTY. Really love their design choices all around. And Zone 3‘s not just a pretty face! I dog-eared quite a few page corners in this issue — some really memorable work, some of which I hope to share with my students this fall. 

Andrew Koch‘s poems, “Form a Line” and “Orchard,” are slow, longish poems whose pace and great detail I really enjoyed. These expansive, essayistic poems start small and really take me somewhere I didn’t necessarily expect to go — but, in both instances, the destinations seemed, in the end, not only satisfying but inevitable. Both poems got richer for me with each new reading; I love that!

Ellyn Lichvar’s “Flotsam” invokes the image and the tragedy of Aylan (Alan) Kurdi, a 3-year-old Syrian refugee who died by drowning; the photograph of his tiny body washed up on the beach is revisited here in brutal, spare detail. The poem imagines the life that led Alan, as well as many refugees, to such desperate and life-threatening measures: “Before the child washed // ashore, he mastered the art / of surrender. Hands held high / they pointed at him whatever // was on hand–camera, / gun–and no one said learn / to swim.”

Carrie Shipers’ “Love Poem to Daniel Bryan, Summer 2013″ illuminated both the speaker/”lover” and the “beloved” in ways I found surprisingly moving, given that Daniel Bryan is a professional wrestler on television, not an actual acquaintance (as far as I can tell) of the speaker. Shipers’ direct address seeks to point out similarities between her speaker and the wrestler: “I understand how even doing well can lead // to doubt: How many matches will it take / to prove your critics wrong, make you believe / that you belong? Daniel, like you // I’m either overlooked or under siege / by people with more power, insecure / but tougher than my enemies expect.” I found the repeated invocation of his full name to be so well-done, well-timed, in this poem. 

I reread “Limb” by Ellie Tipton several times, each time sinking a little more deeply into the poem’s affecting details, as well as the smart narrative arrangement of those details. The title and the work with that word “limb” is pretty devastating. As the poem progresses, the lines lengthen, and italicized fragments of language become a kind of archipelago of memory: Always the circle of strangers around you, and your family // strung together on an orange couch with a man called Chaplain, and / mother opened the ICU doors, asking the gentler one, who took her hands and said, / not yet and said thread. And hours later, clinging, we told God: fine.” The two final stanzas of the poem that come on the heels of this one feature much shorter lines, sentence fragments, glimmers, silences. The poem’s end just gutted me every time I read it. It’s a good reason to consider buying a copy of the issue.

I’m not sure what to say about David Huddle’s “Verbal Binary Presence in Early Childhood Development, that Infamously Difficult Poetic Form the Villanelle, and the Spiritual Quotidian.” It’s the winner of Zone 3’s 2016 nonfiction prize. It’s genre-bendy, wide-ranging, thought-provoking, darkly funny in places. I’ve never seen anything quite like it. Also, if you are interested in the villanelle form, you must see this. 

Finally, I just wanted to say how pleased I was to see Jamaal May’s The Big Book of Exit Strategies (Alice James, 2016) reviewed by Robert Campbell here. I’m a big fan of May’s work — like Campbell, I find reading May’s poems to be a “sublime pleasure.”

Thanks, Zone 3 editorial team, and thanks, Austin Peay State University Center for the Creative Arts, for supporting such beautiful and necessary work!